He has a somber look on his face, suggesting his awareness of his hardship and poverty, even though he’s still a child. Made from plaster and covered in gold paint, Savage depicted the boy wearing a wrinkled shirt and a bebop cap. Hayes found the following quotation from Savage in a 1935 interview with the Federal Art Commission: “I bought some materials, set a dry goods box on the living room table, stood my nephew alongside the table, and worked practically all night, till we were both exhausted.” At the Schomburg Center for Research in Black Culture, curator Jeffreen M. Though up against 142 male applicants, Savage was accepted, and, in 1923, she earned her degree-an entire year early.Ī post shared by The Johnson Collection 1929, Savage created Gamin, a bust depicting a young African American boy, modeled after the artist’s own “little nephew.” He had come to live with Savage after his home in Florida was damaged by a hurricane. Two years later, she moved to New York City, where she applied to the Cooper Union for the Advancement of Science and Art, a progressive, scholarship-based university in Manhattan. In 1919, Savage solidified her role as an innovative sculptor when her work won an award for originality at a Florida fair. While her Methodist minister father disapproved of her hobby, a teenaged Savage taught sculpting in high school-a stint that shaped the foundation for a career in arts education. With this medium conveniently at her disposal, Savage spent her childhood crafting small ceramic animals. Built around a warm mineral spring, the city is rich in red clay. Augusta Savage, “Portrait of a Baby,” 1942Ĭourtesy of Michael Rosenfeld Gallery LLC, New York, NY) (Photo: New York Historical Society )In 1892, Augusta Savage was born in Green Cove Springs, a lush city in Florida named-and known-for its natural landscape.
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